Creativity Crush: Bradford Young

Though I have mixed feelings about Restless City, I have much respect for the film’s cinematographer, Bradford Young. Check him in out this video:

We use jazz…as a mantra on how we want to make films…the collective responsibility of how you cannot make jazz alone.  And that is sort of what we are trying to bring to the table of filmmaking. – Bradford Young

How can I not have a crush? The analogies to Jazz. The focus on the idea of collaboration and community. The mentions of his inspiration. He’s talking about his work and never says “I”.  Amazing.

More about Mr. Young:
His Website
His Vimeo Page

Notes on Writing: The Solitude Myth

There is no doubt that writing requires quite a bit of alone time, but according to Kalamu ya Salaam the myth of writing solitude can be damaging for black writers. Read exactly what he means in his essay The Myth of Solitude: No Writer is an Island. Though I can’t relate to some of his generalizations, he does make some good points:

In order to achieve both linear (across generations) and lateral (across cultures) greatness, writers must be both immersed in a specific era/culture and conscious of that era’s relationship to other eras and other cultures. It is not enough to report on or even analyze the news of the day. The ultimate meanings of human existence transcend the specifics of any given moment.

In the contemporary United States, “audience” has been collapsed into the concept of consumers, people who literally buy whatever is marketed. That is ultimately a very cynical approach to determining who is one’s audience. To write for and about a specific audience does not necessarily mean writing to sell to that audience. What it does mean is using the culture of the intended audience as the starting point (and hopefully an ending point) for our work.

A horrible truth is that too many of us are unprepared to write significant literature because we have no real appreciation of our audience as fellow human beings, as cultural creatures. We know neither history nor contemporary conditions. We talk about “keeping it real” but have no factual knowledge of reality. Thus, we glibly bandy generalizations, utter hip clichés as though they were timeless wisdom, and inevitably offer instant snapshots of the social facade as though they were in-depth investigations of the structure and nature of our social reality — in short, we lie and fantasize.

Event Recap: Artists at Work: An Afternoon with Edwidge Danticat

Last weekend, Philadelphia’s Art Sanctuary hosted Artists at Work: An Afternoon with Edwidge Danticat. The event featured a panel discussion moderated by April Silver with panelists: spoken word artist Michelle Myers, visual artist James E. Claibrone Jr., bassist Jonathan Michel, and writer Edwidge Danticat.

A few insights I gained from the panel:

On speaking for/with a community:

I see myself as speaking as part of a chorus — the more voices that join, the more enlightened we are… saying that I am the voice of a non-monolithic, complex people silences other people’s voices. – Edwidge

Join the chorus. Don’t allow anyone to silence your voice and don’t attempt to silence anyone else’s voice.

When people lay claim, they sometimes want to dictate what I write about… – Michelle

I get excited when someone is able to put my thoughts into words but then sometimes I have expectations for them to continue to do this. It’s an unfair burden for artists.

We internalize negative images of ourselves [from popular media] and then celebrate it… [We need] to invest in and create righteous art/images – James

*a lightbulb moment for me*. When James made this comment I realized that countering negative stereotypes is not just about being accepted by the “other” but also about not internalizing negativity.

Advice to “aspiring” artists on the importance of study and discipline:

Study is paradigm to what we do…discipline comes from the love of what we do… Learn from the elders; we are not innovators, we are continuing the tradition – Jonathan Michel

I love Jonathan for this comment because it made me realize that my writing is bigger than me. Writing is something that comes naturally to me and I indulge in it as a form of therapy. But if I’m going to acknowledge writing as my calling then I need to recognize the duty that comes with it. *a true lesson in humility*

As a follow-up to Jonathan’s comment on learning from the elders: Study their grace, not just their work, but the way their personhood embodies their work. – Edwidge

This was an important message for me to hear. Though my name means grace I’ve let my ego and my insecurities create a version of myself that is anything but graceful and disconnected form my work.

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This was originally posted on The G is for Grace