Jonah (trailer above) premiered at Sundance 2013. A synopsis of the film from its creators follows:
Mbwana and his best friend Juma are two young men with big dreams. These dreams become reality when they photograph a gigantic fish leaping out of the sea and their small town blossoms into a tourist hot-spot as a result. But for Mbwana, the reality isn’t what he dreamed – and when he meets the fish again, both of them forgotten, ruined and old, he decides only one of them can survive. Jonah is a big fish story about the old and the new, and the links and the distances between them. A visual feast, shot though with humour and warmth, it tells an old story in a completely new way.
The visuals alone captured my attention, but reading up on the director, Kibwe Tavares, got me excited. On the TED Blog, Tavares discusses the relationship between his training as an architect and the science fiction aesthetic of his films:
As an architect, you’re always thinking about the future, too. You build in narratives that are in the future, because you’re always thinking, “When I design a building, I’m designing it for what happens 10, 15 years into the future.” And when you start looking at the future, it’s hard not to have that kind of science-fiction element.
Tavares’ commentary took me back to my initial impression of the film trailer. Afrofuturistic.
Hopefully you haven’t grown too tired of the word’s (mis)use because I think it’s really important here, especially after I’ve read Keguro Macharia’s Imagine in Black. In the blog post, Macharia offers a parallel between our everyday lives and those in dystopia:Read More »
Muse & Words 