As a writer working on a project that may be a bit self-indulgent and may be told through multiple mediums, Terence Nance is definitely an inspiration. And I relate to his idea of “the Swarm.” Read this recent S&A interview to see what all I’m talking about.
I’ve been in a few online book clubs, none successful. But I came across an active online book club with a focus on fiction by people of color. I can’t join because of my reading schedule, but you should consider if you’re looking for a reading community.
There’s so much in this interview: beautiful photos of Toni Morrison (some with her family), proof that artists are intent on feeling our full range of emotions, and affirmation for those who have questions about love
Particularly if you come from poor communities, you come from black communities in this country and you see a casual, systemic indifference to black life…you have to respond. It’s in your own self interest, it’s not even outstanding or courageous, it’s a survival issue. Either we gonna fix this or we gonna just agree to be slaves. And that don’t honor nothing that we ever been about — it don’t honor the legacy of everybody that came before us. -Yasiin Bey
I went to this year’s National Black Writers’ Conference specifically for the panel entitled Migration and Cultural Memory in the Literature of Black Writers
I was late to the panel and though I did miss some stuff, I think I got the goods:
Nana Ekua Brew-Hammond on migration:
We often talk about black migration in a physical sense (Africa -> the West; southern US -> northern US; the West -> Africa) but we also migrate in a mental sense. We migrate daily from our communities to [white] institutions (schools, workplaces, etc.), where we have to adjust the way we speak, dress, etc. As writers, however we migrate, be it mental or physical, it ends up on the page.
She also talked about the contradictory images of Africa she received growing up in the U.S. She would see her parents’ very cosmopolitan photos from Ghana and hear her parents talking about how wonderful Ghana is (though not discussing why they are in the States if Ghana is so wonderful) and at the same time she would see images of “starving Ethiopians” and various people trying to save them. Though I’m a few years younger than Nana Ekua, I completely relate. My mother has the awesome images of herself and her friends from before she emigrated from Ghana to the U.S. but outside of my family, I only received very tragic images of Africa. I’m sure this is something a lot of black people throughout the diaspora can relate to.
A moment of elitism during the panel:
During the Q&A, a man stood up, noted that he’d published several books and asked the panelists for their advice to up and coming writers. One panelist caused a little controversy when she responded that everyone was claiming to be a writer and the importance was in the study — writers need to study and develop technique. She saw the increasing number of self-published works as pollution. Ouch. The man who initiated the discussion took it personally which I understand. I agree that study and technique are important but I have no beef with the self-publishing world or with the supposed universal claim of “writer.”
A fact I was unaware of:
One of the last events of Saturday’s programming was a conversation between Esther Armah and Tavis Smiley. In a story Tavis was sharing about Toni Morrison he said that she didn’t get started until she was 39 or 40. I searched the internet for her writing history, when I got home, and discovered that her first novel was published when she was about 40 years old. I had no idea! but it’s inspiring.
For images of the conference, check the NBWC Facebook Page. And here is another short recap of the conference.